Hadley Roe – The Inner Garden
The Inner Garden
Hadley Roe
June 1, 2025
May 8, 2025
April 3, 2024
February 25, 2024
February 18, 2024
October 10, 2023
September 3, 2023
August 6, 2023
July 30, 2023
July 5, 2023
June 25, 2023
December 10, 2023
August 24, 2023
November 26, 2023
February 4, 2024
September 11, 2023
June 11, 2023
June 1, 2023
May 15, 2023
May 7, 2023
April 27, 2023
April 23, 2023
April 16, 2023
April 5, 2023
April 11, 2023
March 26, 2023
March 19, 2023
February 26, 2023
February 9, 2023
January 26, 2023
December 11, 2022
December 3, 2022
November 21, 2022
November 14, 2022
January 29, 2023
January 22, 2023
January 15, 2023
January 8, 2023
December 30, 2022
October 19, 2022
September 17, 2022
September 8, 2022
September 4, 2022
July 3, 2022
June 25, 2022
June 23, 2022
June 1, 2022
May 22, 2022
May 28, 2022
July 17, 2022
June 28, 2022
July 8, 2022
July 13, 2022
July 22, 2022
July 21, 2022
May 6, 2022
April 27, 2022
April 18, 2022
April 4, 2022
March 15, 2022
February 27, 2022
February 24, 2022
February 13, 2022
February 8, 2022
January 31, 2022
January 20, 2022
January 25, 2022
January 10, 2022
December 23, 2021
December 16, 2021
December 6, 2021
December 1, 2021
November 11, 2021
November 2, 2021
October 26, 2021
October 20, 2021
September 13, 2021
August 1, 2021
July 10, 2021
June 30, 2021
March 25, 2019
March 25, 2019
May 9, 2019
May 10, 2019
May 13, 2019
May 28, 2019
May 29, 2019
June 11, 2019
June 24, 2019
June 25, 2019
June 27, 2019
July 2, 2019
July 2, 2019
July 12, 2019
July 30, 2019
August 8, 2019
August 23, 2019
August 29, 2019
September 5, 2019
September 10, 2019
September 20, 2019
September 24, 2019
September 30, 2019
October 4, 2019
October 9, 2019
October 10, 2019
October 12, 2019
October 14, 2019
October 14, 2019
October 26, 2019
October 30, 2019
November 4, 2019
November 5, 2019
November 6, 2019
November 11, 2019
November 20, 2019
November 25, 2019
November 27, 2019
December 2, 2019
December 5, 2019
December 20, 2019
December 21, 2019
December 24, 2019
January 7, 2020
January 10, 2020
January 17, 2020
January 19, 2020
January 22, 2020
January 23, 2020
January 31, 2020
February 4, 2020
February 7, 2020
February 17, 2020
February 19, 2020
February 20, 2020
February 29, 2020
March 7, 2020
March 12, 2020
March 13, 2020
March 15, 2020
March 20, 2020
March 20, 2020
March 20, 2020
March 24, 2020
March 27, 2020
March 29, 2020
March 31, 2020
April 6, 2020
April 13, 2020
April 13, 2020
Liam Murphy
January 20, 2022
Tracks in this feature
Tracks in this release
A detached sense of nostalgia grips so many people in modern times. Not only are so many places we’ll never visit reduced to videos and images on screens, but places and the aura they held at a certain point in the past are lost to pages of magazines or fading posters and postcards. It is very easy to lose oneself in feelings of angst and solemnity when contemplating these temporal places. However, Soshi Takeda’s Same Place, Another Time allows us to see things in a more optimistic and subsistent way.
The artist combines a new age style with elements of ambient electronica, instilling a sense of tranquillity free from creeping feelings of anxiety. The track Analog Photography showcases the artist diving to the very heart of the EP’s concept even at its beginning. The emotional cadences provided by ghostly choral voices and the touching lounge piano solo implemented midway through the track almost feel like we are watching an image of a beautiful destination fade over time. There is an undeniably an emotional reaction. After all, when the ink disappears, aren’t the moments, the emotions, and the spirit all lost as well? Yet there’s something so carefree and rewarding at the centre of the track. The feelgood percussion and hypnotic melodies caressing the listener, and gently soothing this sadness.
On the titular track, Takeda challenges us with recorded sound. Waves lick gently at a serene beach scene, one so perfect that it feels we will never quite see it for ourselves. There is a downcast sequence played out on tuneful drums, followed by a wistful bell melody. It all seems to be representative of time’s transience. But the energy is not overtly mournful, and strives forward triumphantly, helped along by heavy percussion. The artist seems to be willing us forward, on from this memory that was never truly ours.
Not only does the artist guide us away from feelings of overt defeat in the face of the relentless passage of time, they also compel us to find comfort in visiting these lost moments. Flower finds a selection of breathtaking instruments, playing out emotively and gracefully amidst an unshaken rhythm. The listener can lie back and watch this shallow visage of a flower take on a fluid and ever-changing form, discovering peace in the prospect that the beauty is merely a fluid spirit, and that the flower that once existed in real life can take on a more infinite form in our minds and hearts.
Our modern world is haunted by windows into the past. Infinitely tranquil destinations call to us from decayed holiday brochures and photos slowly losing their shine. Same Place, Another Time wills us to see these artefacts in a more hopeful light. Its heartfelt melodies acknowledge the emotions that a lost past can evoke in us, and its serene style soothes our sense of detachment brought on by time’s unfailing transience.