Moon Apple – Four Pillars
Four Pillars
Moon Apple
May 8, 2025
May 8, 2025
April 3, 2024
February 25, 2024
February 18, 2024
October 10, 2023
September 3, 2023
August 6, 2023
July 30, 2023
July 5, 2023
June 25, 2023
December 10, 2023
August 24, 2023
November 26, 2023
February 4, 2024
September 11, 2023
June 11, 2023
June 1, 2023
May 15, 2023
May 7, 2023
April 27, 2023
April 23, 2023
April 16, 2023
April 5, 2023
April 11, 2023
March 26, 2023
March 19, 2023
February 26, 2023
February 9, 2023
January 26, 2023
December 11, 2022
December 3, 2022
November 21, 2022
November 14, 2022
January 29, 2023
January 22, 2023
January 15, 2023
January 8, 2023
December 30, 2022
October 19, 2022
September 17, 2022
September 8, 2022
September 4, 2022
July 3, 2022
June 25, 2022
June 23, 2022
June 1, 2022
May 22, 2022
May 28, 2022
July 17, 2022
June 28, 2022
July 8, 2022
July 13, 2022
July 22, 2022
July 21, 2022
May 6, 2022
April 27, 2022
April 18, 2022
April 4, 2022
March 15, 2022
February 27, 2022
February 24, 2022
February 13, 2022
February 8, 2022
January 31, 2022
January 20, 2022
January 25, 2022
January 10, 2022
December 23, 2021
December 16, 2021
December 6, 2021
December 1, 2021
November 11, 2021
November 2, 2021
October 26, 2021
October 20, 2021
September 13, 2021
August 1, 2021
July 10, 2021
June 30, 2021
March 25, 2019
March 25, 2019
May 9, 2019
May 10, 2019
May 13, 2019
May 28, 2019
May 29, 2019
June 11, 2019
June 24, 2019
June 25, 2019
June 27, 2019
July 2, 2019
July 2, 2019
July 12, 2019
July 30, 2019
August 8, 2019
August 23, 2019
August 29, 2019
September 5, 2019
September 10, 2019
September 20, 2019
September 24, 2019
September 30, 2019
October 4, 2019
October 9, 2019
October 10, 2019
October 12, 2019
October 14, 2019
October 14, 2019
October 26, 2019
October 30, 2019
November 4, 2019
November 5, 2019
November 6, 2019
November 11, 2019
November 20, 2019
November 25, 2019
November 27, 2019
December 2, 2019
December 5, 2019
December 20, 2019
December 21, 2019
December 24, 2019
January 7, 2020
January 10, 2020
January 17, 2020
January 19, 2020
January 22, 2020
January 23, 2020
January 31, 2020
February 4, 2020
February 7, 2020
February 17, 2020
February 19, 2020
February 20, 2020
February 29, 2020
March 7, 2020
March 12, 2020
March 13, 2020
March 15, 2020
March 20, 2020
March 20, 2020
March 20, 2020
March 24, 2020
March 27, 2020
March 29, 2020
March 31, 2020
April 6, 2020
April 13, 2020
April 13, 2020
April 18, 2020
April 23, 2020
April 24, 2020
May 1, 2020
May 1, 2020
May 1, 2020
May 5, 2020
May 6, 2020
May 7, 2020
May 11, 2020
May 13, 2020
May 15, 2020
May 15, 2020
May 28, 2020
June 5, 2020
June 5, 2020
June 5, 2020
June 10, 2020
June 16, 2020
June 17, 2020
June 19, 2020
June 23, 2020
June 26, 2020
June 27, 2020
July 1, 2020
July 14, 2020
July 17, 2020
July 18, 2020
July 20, 2020
July 21, 2020
July 23, 2020
July 24, 2020
July 30, 2020
July 30, 2020
July 31, 2020
August 2, 2020
August 5, 2020
August 7, 2020
August 11, 2020
August 14, 2020
August 18, 2020
August 19, 2020
August 21, 2020
August 24, 2020
August 25, 2020
August 29, 2020
September 5, 2020
September 5, 2020
September 9, 2020
September 11, 2020
September 14, 2020
September 15, 2020
September 17, 2020
September 21, 2020
September 27, 2020
September 28, 2020
October 13, 2020
October 16, 2020
October 21, 2020
October 29, 2020
October 31, 2020
November 1, 2020
November 5, 2020
November 10, 2020
November 12, 2020
November 23, 2020
November 26, 2020
November 29, 2020
December 4, 2020
December 10, 2020
December 12, 2020
December 15, 2020
December 22, 2020
December 27, 2020
December 30, 2020
December 31, 2020
January 7, 2021
January 9, 2021
January 17, 2021
January 24, 2021
January 31, 2021
February 1, 2021
February 7, 2021
February 18, 2021
February 24, 2021
March 4, 2021
March 11, 2021
March 31, 2021
April 16, 2021
April 20, 2021
May 4, 2021
Louis Pelingen
October 10, 2023
Tracks in this feature
Tracks in this release
The architectural majesty of churches is a thing to behold, acting as sanctuaries for people to further embrace their faith in God, the words of preachers echoing within, attempting to remind us of the goodness of humanity. It’s essentially the purpose of churches, after all, to be a place for us to communicate with God, to worship and believe. A purpose that’s also reflected heavily in the intricate construction of a building that promotes sonic spectacle, it is a natural echo chamber that allows the religious music to sound like voices of angels cheering and celebrating the presence of God.
Grandbrothers and their work in the magnificent, vaulting Cologne Cathedral represents a new exploration for the duo. Throughout their discography, Erol Sarp’s piano notes have flowed alongside Lukas Vogel’s experimental touches. The new setting and atmosphere of the church allows this style to take on a more vast, overwhelming power. While it initially started as a location for them to compose pieces for a concert in that specific cathedral, this eventually went further as Erol Sarp and Lukas Vogel began to create Late Reflections, an album that embraces the stunning reverb that one can hear in their other compositions.
Like the striking emotions that are often felt within a church throughout the centuries it has stood, Grandbrothers were able to expand their experimentation towards more melancholic atmospheres, intricately detailed with all the light and deeper shadows of ambience. The specks of light glimmer forth within cuts like Golden Dust with its fleeting layers of keynotes amid the shambling glitch that sweeps through it, Infinite with the consistent flurry of keys that reach a higher field of sound as sparkling synths, fuzzy percussion and looming drone accompany, and the same goes for the staccato piano chords on North/South that float around spare rounds of synths, glitch and percussion.
The glimmering light also informs the contemplative darkness within the record, especially through Yokohama Rascals where the slower sorrow is represented through a dour droning soundscape, Adrift and its rumbling atmosphere that crumbles and overwhelms the piano lines and the marching drums, and Bloom through its pulsating beat and the steady piano chords that felt like it’s wandering around the shuffling ticks of glitchy synths and sound effects.
When the light and the dark do align in Grandbrothers’ favour, that’s where the transcendence happens. The continuous rising sweep of On Solid Ground through the arpeggiated pianos is fleshed out from the heavier sets of drone and glitch; a similar aura that also comes through Vertigo, carrying the contemplative mood of the piano lines, and ultimately resolves on Boy in the Storm, where the sharper playing on the keys amid the shaky soundscapes around it ends the album on a balancing point. A point where the light and the darkness eventually coalesce.
A communion of deep-seated reflections and healing consolations, Late Reflections is a record where the natural reverberation of the cathedral allows Grandbrothers to deliver a fully-realised version of their piano-based electronica. It also enables their experimentation in creating an atmospheric soundscape that feels vast and harmonious. Its creation may be a once-in-a-lifetime experience for Grandbrothers, but their compositions will now forever thrive in that cathedral space, elevating their beauty in its divinity.