Moon Apple – Four Pillars
Four Pillars
Moon Apple
May 8, 2025
May 8, 2025
April 3, 2024
February 25, 2024
February 18, 2024
October 10, 2023
September 3, 2023
August 6, 2023
July 30, 2023
July 5, 2023
June 25, 2023
December 10, 2023
August 24, 2023
November 26, 2023
February 4, 2024
September 11, 2023
June 11, 2023
June 1, 2023
May 15, 2023
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April 27, 2023
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April 5, 2023
April 11, 2023
March 26, 2023
March 19, 2023
February 26, 2023
February 9, 2023
January 26, 2023
December 11, 2022
December 3, 2022
November 21, 2022
November 14, 2022
January 29, 2023
January 22, 2023
January 15, 2023
January 8, 2023
December 30, 2022
October 19, 2022
September 17, 2022
September 8, 2022
September 4, 2022
July 3, 2022
June 25, 2022
June 23, 2022
June 1, 2022
May 22, 2022
May 28, 2022
July 17, 2022
June 28, 2022
July 8, 2022
July 13, 2022
July 22, 2022
July 21, 2022
May 6, 2022
April 27, 2022
April 18, 2022
April 4, 2022
March 15, 2022
February 27, 2022
February 24, 2022
February 13, 2022
February 8, 2022
January 31, 2022
January 20, 2022
January 25, 2022
January 10, 2022
December 23, 2021
December 16, 2021
December 6, 2021
December 1, 2021
November 11, 2021
November 2, 2021
October 26, 2021
October 20, 2021
September 13, 2021
August 1, 2021
July 10, 2021
June 30, 2021
March 25, 2019
March 25, 2019
May 9, 2019
May 10, 2019
May 13, 2019
May 28, 2019
May 29, 2019
June 11, 2019
June 24, 2019
June 25, 2019
June 27, 2019
July 2, 2019
July 2, 2019
July 12, 2019
July 30, 2019
August 8, 2019
August 23, 2019
August 29, 2019
September 5, 2019
September 10, 2019
September 20, 2019
September 24, 2019
September 30, 2019
October 4, 2019
October 9, 2019
October 10, 2019
October 12, 2019
October 14, 2019
October 14, 2019
October 26, 2019
October 30, 2019
November 4, 2019
November 5, 2019
November 6, 2019
November 11, 2019
November 20, 2019
November 25, 2019
November 27, 2019
December 2, 2019
December 5, 2019
December 20, 2019
December 21, 2019
December 24, 2019
January 7, 2020
January 10, 2020
January 17, 2020
January 19, 2020
January 22, 2020
January 23, 2020
January 31, 2020
February 4, 2020
February 7, 2020
February 17, 2020
February 19, 2020
February 20, 2020
February 29, 2020
March 7, 2020
March 12, 2020
March 13, 2020
March 15, 2020
March 20, 2020
March 20, 2020
March 20, 2020
March 24, 2020
March 27, 2020
March 29, 2020
March 31, 2020
April 6, 2020
April 13, 2020
April 13, 2020
April 18, 2020
April 23, 2020
April 24, 2020
May 1, 2020
May 1, 2020
May 1, 2020
May 5, 2020
May 6, 2020
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May 11, 2020
May 13, 2020
May 15, 2020
May 15, 2020
May 28, 2020
June 5, 2020
June 5, 2020
June 5, 2020
June 10, 2020
June 16, 2020
June 17, 2020
June 19, 2020
June 23, 2020
June 26, 2020
June 27, 2020
July 1, 2020
July 14, 2020
July 17, 2020
July 18, 2020
July 20, 2020
July 21, 2020
July 23, 2020
July 24, 2020
July 30, 2020
July 30, 2020
July 31, 2020
August 2, 2020
August 5, 2020
August 7, 2020
August 11, 2020
August 14, 2020
August 18, 2020
August 19, 2020
August 21, 2020
August 24, 2020
August 25, 2020
August 29, 2020
September 5, 2020
September 5, 2020
September 9, 2020
September 11, 2020
September 14, 2020
September 15, 2020
September 17, 2020
September 21, 2020
September 27, 2020
September 28, 2020
October 13, 2020
October 16, 2020
October 21, 2020
October 29, 2020
October 31, 2020
November 1, 2020
November 5, 2020
November 10, 2020
November 12, 2020
November 23, 2020
November 26, 2020
November 29, 2020
December 4, 2020
December 10, 2020
December 12, 2020
December 15, 2020
December 22, 2020
December 27, 2020
December 30, 2020
December 31, 2020
January 7, 2021
January 9, 2021
January 17, 2021
January 24, 2021
January 31, 2021
February 1, 2021
February 7, 2021
February 18, 2021
February 24, 2021
March 4, 2021
March 11, 2021
March 31, 2021
April 16, 2021
April 20, 2021
May 4, 2021
A low, gurgling bass staggers from the mud of beautiful, vibrant greenery. Originally started by prolific dutch producer 猫 シ Corp as a way to ‘explore new sounds’ 地球’s reissued album ジャングル (Jungle) stands confidently on its own from the commencement of the sound. The bass dissipates, leaving us with only birdsong momentarily. An echoed shroud of notes slowly looms into earshot, as the creative lashings of the artist and the natural world share the space. The notes pulse through the natural scene like rays of sunlight through the canopy. Within the first two minutes a scene has unfolded with the power of a religious epiphany. The notes, now choral pads, seem to float through the solid structure of the natural scene. As if they live on a different plane entirely.
The sequence of notes is mostly uplifting, though some are tinged with the sublime and unfathomable. The melodies becomes emotive and sentient, pushing towards a structured and linear narrative, though the birdsong and trickling water carry on unabashed. They live together in complete harmony, and at some points it feels as if we are hearing the beauty of the natural scene manifest in the swelling chords. The warm sunlight shifts across the forest floor in patterns, the treetops are set ablaze with light. The choirs suddenly fade. Replaced gradually by more low and sinister sounds. All is slow-moving, but effortlessly crafted by a producer with an invested interest in the listener’s immersion.
This time, the bass sound has a harmonic ringing to it, as if we are tuning out of the sounds of the forest having just realised or comprehended something that negates the beauty and serenity we witnessed only a moment ago. The sound seems to quiet the life surrounding the listener. Deep rumblings can be heard somewhere into the distance. Rain begins. Sharp stalactites of water dash the grass and trees. Minor notes drift in on the back of the powerful bass. The rain then stops, a brief nuisance, though the deep thunderous clouds remain. The rolling bass tones combine with the rumbling clouds, and all of a sudden both are lifted high above the forest floor. The bad weather seems to disappear, and all that was moody and eerie is transformed into singing light. The sounds float above the scene now, like seraphim slowly evaporating into the heavens.
A bird begins to sing an almost nonsense refrain. Conveyed to the listener is the fact that not once did the birds, trees or water ever stir that much differently. Throughout golden sunlight and religious epiphany, as well as incomprehensible low bass and hellish weather. The creatures and plants remained, veterans of natural tumult and transformation.
We move into Part 2, a bonus edition to the release originally on Dream Catalogue. Another burst of golden sun appears. Reaching through the undergrowth and spreading across the soft ground. The sounds are so beautifully layered upon field recordings of thriving wildlife. 猫 シ Corp let’s the two mingle effortlessly. Slight patterns of rain, a duality of both light and grey cloud. The notes hold an ambivalent tone, pulsing and driving through the ambience, the notes providing us no sustenance or sign of calm. Overflowing pools of water trickle from leaves unto the overgrown pathways of the forest. Lighter notes take the place of the full, overpowering sounds of before. Small cracks of sunlight as the cloud continues to slide across the sky. The birdsong sounds like melodious offerings pushed from the dissonant, natural landscape. A particular bird who’s call catches on the up inflection sings. This makes it sound similar to a portamento-effected lead sound, possibly one of the only glimpses of the artist we see through the harrowing, immersive scene created. A warm, crystalline note ventures forth as the wildlife seems to gather around it. One bird trails off into the distance, the Doppler effect transforming its song into some sort of receding alarm.
The glacial notes, ringing every so often, emanate through the scene. The sound is so full it’s almost as if an extra-terrestrial visitor has landed softly on the peat and marsh, floating just above it. The forest seems to be enraptured by the glowing sound. It too, fades out. Earth Earth has now taken us through a multitude of different cathartic episodes in the 32-minute runtime. The listener, if focused, has cycled through a range of emotions, the nature that surrounds, on the other hand, them remains stalwart an almost nonplussed.
Large globules of rain fall, causing more substantial pattering as drops bounces off leaves and are absorbed into the ground. One last interjection from the alien force, as the gurgling bass that begun the EP sounds again.
In this outing, it is proved once again how incredibly important the task of world-building is to those at Hiraeth Records. The two outings have been beautiful feasts of sound as the artists have sought to spend the entirety of the time creating a realistic and lineal environment. Listeners are indebted to them, with immersion from the outset, the experience is truly unforgettable.
Listen in full and purchase here: https://hiraeth-records.bandcamp.com/releases