Moon Apple – Four Pillars
Four Pillars
Moon Apple
May 8, 2025
May 8, 2025
April 3, 2024
February 25, 2024
February 18, 2024
October 10, 2023
September 3, 2023
August 6, 2023
July 30, 2023
July 5, 2023
June 25, 2023
December 10, 2023
August 24, 2023
November 26, 2023
February 4, 2024
September 11, 2023
June 11, 2023
June 1, 2023
May 15, 2023
May 7, 2023
April 27, 2023
April 23, 2023
April 16, 2023
April 5, 2023
April 11, 2023
March 26, 2023
March 19, 2023
February 26, 2023
February 9, 2023
January 26, 2023
December 11, 2022
December 3, 2022
November 21, 2022
November 14, 2022
January 29, 2023
January 22, 2023
January 15, 2023
January 8, 2023
December 30, 2022
October 19, 2022
September 17, 2022
September 8, 2022
September 4, 2022
July 3, 2022
June 25, 2022
June 23, 2022
June 1, 2022
May 22, 2022
May 28, 2022
July 17, 2022
June 28, 2022
July 8, 2022
July 13, 2022
July 22, 2022
July 21, 2022
May 6, 2022
April 27, 2022
April 18, 2022
April 4, 2022
March 15, 2022
February 27, 2022
February 24, 2022
February 13, 2022
February 8, 2022
January 31, 2022
January 20, 2022
January 25, 2022
January 10, 2022
December 23, 2021
December 16, 2021
December 6, 2021
December 1, 2021
November 11, 2021
November 2, 2021
October 26, 2021
October 20, 2021
September 13, 2021
August 1, 2021
July 10, 2021
June 30, 2021
March 25, 2019
March 25, 2019
May 9, 2019
May 10, 2019
May 13, 2019
May 28, 2019
May 29, 2019
June 11, 2019
June 24, 2019
June 25, 2019
June 27, 2019
July 2, 2019
July 2, 2019
July 12, 2019
July 30, 2019
August 8, 2019
August 23, 2019
August 29, 2019
September 5, 2019
September 10, 2019
September 20, 2019
September 24, 2019
September 30, 2019
October 4, 2019
October 9, 2019
October 10, 2019
October 12, 2019
October 14, 2019
October 14, 2019
October 26, 2019
October 30, 2019
November 4, 2019
November 5, 2019
November 6, 2019
November 11, 2019
November 20, 2019
November 25, 2019
November 27, 2019
December 2, 2019
December 5, 2019
December 20, 2019
December 21, 2019
December 24, 2019
January 7, 2020
January 10, 2020
January 17, 2020
January 19, 2020
January 22, 2020
January 23, 2020
January 31, 2020
February 4, 2020
February 7, 2020
February 17, 2020
February 19, 2020
February 20, 2020
February 29, 2020
March 7, 2020
March 12, 2020
March 13, 2020
March 15, 2020
March 20, 2020
March 20, 2020
March 20, 2020
March 24, 2020
March 27, 2020
March 29, 2020
March 31, 2020
April 6, 2020
April 13, 2020
April 13, 2020
April 18, 2020
April 23, 2020
Liam Murphy
April 18, 2020
Tracks in this feature
Tracks in this release
CUES VOL. 1 starts with rough background noise that makes way for piercing sharp synth tones. These descend in a stark, slow melody. Rain beats against the mix behind the trawling notes. But as the downfall fades out, Hollow Comet brings in echoed and unnatural vocals providing a sharp contrast in texture. These voices haunt the outer regions of the mix with the eerie presence of occult ritual as the synth notes continue to dominate the centre with their ominous tune. The opener is harsh and bleak. Motorcycle Lights stands at the front of this collection of songs and does quite a bit to prepare us for the heavily atmospheric music that will follow on from here.
Sometimes begins on a lighter note but shares this same crisp and clear sound as the track before. Synth pad sounds creep through a revolving loop that begins to feel statuesque as melodies cushion it. The pads overwhelming power proves too much for the main sample as it is gradually submerged in thick squarewave tones. This exchange is brought to a sudden halt, the artist playfully shifting the listener along from what was evidently a very enrapturing moment.
Nikon starts with an unassuming sunset pad. Suddenly drums begin to catapult up and down the mix with a rhythm and sound reminiscent of the darker garage of the early 00s. Again, spectre-like voices sing over each other just out of intelligible ear shot. Hollow Comet’s drum sequencing is impressive and makes the short track infectiously rhythmic.
Mad Tom finds a muffled loop sitting just underneath a hissing equalisation. Glassy, reverberating melodies begin to slide in. An unlikely guest spot from Tom Cruise finds him losing his cool with an Australian reporter from an interview in 2005. The exchange is placed in an oddly emotive position within the track, soundtracked by swelling instrumentation. Is the inspiration for this track pulled from Tom Cruise’s manically focused persona? Is it just an interesting piece of sound thrown on top? Hollow Comet’s incredibly production abilities reveal little of his intention.
Bad Translation hears beautiful piano tripped encased somewhere in the distance. They pulse and move fluidly, residing somewhere out of clear earshot. Warm strings rise from the floor of the mix to the left side of the listener, giving a touching augmentation to the melody. Vocal samples begin to scatter across the mix as the artist slowly unveils a rich palette of sounds and textures. Sped up vocals escape a hiding place, sounding like a crisp garage sample trapped in a washed out ether. Halfway in and each track has illustrated a pure and rewarding emotive feeling. The tracks seem to soar with a warm melancholia.
Look Down Towards the Street hears a crooning guitarist pitched down to the point of bellowing. Synth pads trickle in, and an explorative panpipe melody seems to try to jump and twirl as high and as gracefully as it can. Hollow Comet fills the mix with interjecting vocal samples and random snippets of background noise. The style is so engaging but in a wonderfully subtle way.
Lou finds the artist taking a more structured, almost synthwave direction. The heavy set drums providing a strict rhythmic guide rope for the instrumentation to follow along. The melody is gentle and seamlessly drifts into a more upbeat sequence momentarily before falling back into the infectiously paced main section.
Memory of the City brings us to the end. The sounds of life around us creep in once again. A dramatic synth lead melody floats above. It plays a slightly off tune melody, the jaunted nature of the pitch providing this wonderful organic feeling to the instrument. The track, and the tracks of CUES VOL. 1 in general seem to achieve so much in such a short runtime. The melody encased within this conclusion feels like it flies majestically for much longer than its 2-minute runtime.
The 8-track collection is a fantastically short yet rewarding insight into Hollow Comet. The artist manages to lather each track in such an incredible atmosphere. His style hangs in between labels and genres, flirting with aspects of ambient, garage and many other styles. The result is a beautiful and touching volume of work.
Purchase/listen in full here: http://hollowcomet.bandcamp.com/album/cues-vol-1